About to call it a night at the bar he works, Rubens agrees to serve one last customer: the mysterious Zion.
When Naveen brings his fiancé Jay home to meet his traditional Indian family, they must contend with accepting his white-orphan-artist boyfriend and helping them plan the Indian wedding of their dreams.
Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).
Liam, crippled by his fear of intimacy, remedies his hunger for touch through trips to the beach where he fantasizes a life of connection. His voyeuristic daydream is challenged by a young man, Brayden, who decides to pursue him.
Two boys from a soccer team disguise their love relationship as sheer friendship so as not to be discovered. One night of passion inside a car wash could trigger a different path in their lives.
Moritz follows a boyfriend to Berlin and is soon abandoned by him. Alone in the big city, he embarks on a journey through a wide range of queer experience. Only through a new circle of queer friends does he develop his own ideas of sexuality and masculinity, leading him to a clearer self-identity.
In 1970s Rome, a casual encounter between Enea and Pietro at a movie theater turns into an unforgettable romance — until destiny pulls them apart.
The protagonists of the story, two boys, Giorgio and Marco, come from two different worlds. An unexpected love binds them and emptiness attracts them.
It’s 2006, and George is a 16-year-old who believes he is a future star musician, even when no-one else in his small town does. The arrival of Max, the son of a famous musical duo who helps him rehearse for a talent show leads both boys to learn from each other and grow closer.
Two men try to define their relationship while they wait for their cookies to cool.
Two men must challenge their relationship with meat, when a vegetarian hamburger is brought to them by a mysterious woman with questionable morals. A series of violence, food and moral depravity insues
Two men must challenge their relationship with meat, when a vegetarian hamburger is brought to them by a mysterious woman with questionable morals.
A heartwarming story between roommates Aki and Haru, two college students who have different personalities and worries but share a love for food.
Thiago and Pedro embark on a journey in search of love.
Two high school boys from different social worlds experience romantic feelings for each other. Edmar, a high-performing Filipino student, and Pili, a Native Hawaiian student-athlete, learn that navigating self-growth and teenage love in Hawaiʻi is as complicated as their understanding and love for Hawaiʻi and it’s ever-changing cultural landscape.
A normal day for misters Armando and Rogério do Cálcio (2023, Colorized)
As he nears graduation from university, Hira begins working as an assistant to the popular photographer Noguchi. Witnessing a professional job, he gradually distances himself from Kiyoi, not wanting to get in the way of him as he expands his career as an actor. Hira, who can only think "Kiyoi is a god" and a precious being, and Kiyoi, who wants to be an "ordinary" lover on an equal footing with Hira, miss each other little by little.
Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.