In a monotone and a long-walk routine, Heitor is headed to another work day, until something begins to follow him
In the midst of a plague, a lonely priest must confront his fears when faced with an ominous knock at the door of his abandoned church.
The House on the Moon
Based on an actual event when a huge, mysterious sea creature washed onto the shores of Florida. A tribute to silent German expressionism.
A young man becomes obsessed with his new neighbour.
In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.
The young Evelyne lives with a man, her fiancee Frank, with whom she has a child. But her fiancee is a rundown drunk constantly hanging over the bottle. Evelyne wants to leave Frank.
A traumatized man returning home from war discovers that his wife has slipped into the underclass.
German war film. This film is considered lost.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
Four strangers meet in a mysterious home. There for different reasons, they slowly begin to realize something is terribly wrong with their host… and their chef.
John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffin maker and his mother where she will be secluded until the birth of the child. Torgus, a clumsy golem-esque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return.
A cashier in a bank in a small German town is alerted to the power of money by the visit of a rich Italian lady. He embezzles 60,000 Marks and leaves for the capital city, where he attempts to find satisfaction in politics, sport, love and religion.
Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.
Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.
An alien from the planet Algol gives a man a device that creates enough energy to power the entire world.
A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.
Student Raskolnikow, who has written an article about laws and crime, proposing the thesis that un-ordinary people can commit crimes if their actions are necessary for the benifit of mankind, murders an old woman, who operates a crooked loaning house, as well as her sister, who made the mistake of visiting her at the wrong time. He is suspected of the crime, but somebody else confesses to the murder.
During a dinner given by a wealthy baron and his wife, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a vision what might happen tonight if the baron stays jealous and the suitors do not reduce their advances towards his beautiful wife. Or was it a vision?
The film tries to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff, who loses his mind in view of catastrophies and social disturbances; teacher John, who is the hero of the masses; and Marja who turns into a radical revolutionary.