Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.
Out O' Actions documents Kelley and McCarthy's preliminary activities in organizing a project for the Visitor's Gallery of the Museum of Contemporary Art Los Angeles during the inaugural exhibition of "Out of Actions: Between Performance and the Object 1949-1979." Mimicking the editing structure of Kurt Kren's documentation of Otto Muehl's action Mama und Papa (1964), the documentation of Kelley and McCarthy's curatorial preparations is presented as performative activity itself.
An Documentary showned only in Carlos Relvas's photography studio, showing his live story and work.
A documentary about Sir Len Southward OBE and his collection of vehicles at his Southward Car Museum in Paraparaumu, New Zealand, among the largest car museums in the world.
While struggling to finish a painting, a young girl finds herself lost in the world of perfection and objectivity.
In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.
A statue that dreams and a very special robot cleaner that works in the museum.
From the desk on which Jefferson wrote the Declaration of Independence to Dorothy's ruby slippers, the National Museum of American History houses many of America's greatest treasures and icons. Learn the stories of how they came to be a part of the museum's collection, and meet the people who have restored some of these treasures.
Alejandro is a insecure teenager who is in love with Javier but he does not like him back. One day in a museum visit, Alejandro asks a magic Maya stone the wish of being in a relationship with Javier, his wish will come true but not in the way he was expecting.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
An acclaimed artist gets a bad review and deals with it the only way he can.
Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.
Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.
About the adventures of a boy and his dog who got into ancient times.
A single channel video featuring the American artist Andrea Fraser as she walks around the atrium of the Guggenheim Bilbao listening to the institution’s audio guide. After an initial shot of the entrance, the video shows Fraser wearing a short green dress and high heels picking up an audio guide inside. Once she begins listening to the guide the soundtrack changes so that the viewer also hears the same male voice as the artist (and without any background noise). Shot with five hidden cameras – one on Fraser herself and four others operated by assistants moving around the atrium – Little Frank and His Carp depicts Fraser from varying angles and proximities as she initially follows the audio guide’s instructions closely, her emotions visibly changing in response to the material she hears. Told that modern art is ‘demanding, complicated, bewildering’, she appears anxious, but when the guide tells her ‘the museum tries to make you feel at home’, she immediately seems reassured and happy.