Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.
This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.
After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.
A portrayal of girlhood through the eyes of an average teenage girl.
When Petra spends an evening with her best friend Sanna, Sanna asks how she knew she was bi. Petra tries in earnest to show her the truth.
RAPE PLAY is an experimental documentary that explores fanfiction writing amongst teenage girls online and the learned narrativization of sexual experiences. Through interviews, lyrical essays, and fantastical reenactment, it touches on internet history, sexual assault discourse, and the magical cultural production happening in the bedrooms of teenage girls worldwide every day.
Two childhood best friends navigate the complexities of their evolving relationship as they transition from girls to young women.
The 12-year old Dolores, a feisty preteen desperate to be seen as a grown-up in 1976 suburbia is on her humiliating, hilarious journey from girlhood to growing up. She fantasizes about sex, womanhood, work... and Freddie Prinze. The girl thinks she's got the lowdown on being a woman, but when her overworked single mom Janice hires Cleo to babysit her world collides with the super cool black 16-year old's, each learns painful truths about what it really means to grow up.
When her barrettes mess up her pirouettes, an excitable, hyper-focused Black girl must power through the distractions -- and her mother's expectations -- to fly like the ballerinas do.
First Bi-lingual movie made in Odia & Bengali. Bengali version name was "Pana Raksha". Produced with a budget of Rs. 64,000, the Odia movie was a hit however the Bengali version was unsuccessful.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.
Aïcha, a 7-year-old black girl receives a drawing mocking her hair. With the help of her big sister, they will spend the evening trying to make her beautiful like her classmates. How far is she willing to go to be seen and accepted?
June 2010. 11 years old Julia and Raphaëlle are the best at killing time together. Between walking their blind neighbor’s dogs and finishing their music video before Raph returns to Romania, they unconsciously grow apart. This nostalgic semi-autobiographical story recounts the last moments of the inevitable and awkward summer between childhood and adolescence.
Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.
In an alternate timeline where women are educated and obligated to bear children, one student struggles to change her fate.
With concerned phone calls from friends and family, GUARDIANS walks the viewer through the psychological reality of a girl's nightly trip home. Discussions surrounding seemingly mundane choices are framed with a woman’s hyper-vigilant lens; bringing into question what the true price of safety is.