"Toronto's first punk rock club is the subject of this innovative document featuring performances by The Dead Boys, Teenage Head and the Diodes. The rock magazine CREEM praised the film for 'doing everything in its flickering power to self-destruct,' and commented that anyone who 'thought Canadians bored their beef to death ate a different delicatessen." –The Funnel Film Theatre Distribution Catalog.
On June 13, 1978, the soon-to-be legendary rock band the Cramps went to play Napa State, a psychiatric hospital in the small town of Napa in Northern California. Opening for them was the Mutants, an eclectic septet of art school punks from nearby San Francisco. Also in the van was seminal Bay Area art collective Target Video, there to capture the show using one of the first video cameras available to the public, democratizing a medium controlled by mainstream media outlets. Target Video's 22-minute ½” open reel recording of the Mutants' opening set, previously thought to be lost, was restored by Dino Everett at the Punk Media Research Collection, University of Southern California, HMH Foundation Moving Image Archive, and released on DVD in 2023 by Grasshopper Films.
A group of bored teenagers rebel against authority in the community of New Granada.
A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
A group of punks is observed and interviewed on a square in Hamburg-Ottensen. In close-ups, characteristic details of the outward appearance of punks and their provocative behavior are presented. The reactions of passengers and the owners of surrounding stores are recorded; some act emphatically tolerant and understanding, others reject them...
Filmed for television at the legendary SO36 Club in Berlin, 1983.
"Los Mongoles del Terror", as they call themselves, are a gang of motorcyclists, who are dedicated to robbery on the highways, causing terror and misfortune.
Atomic footage video collage starring Sakevi of G.I.S.M.
Two girls rediscover their love for playing rock, find a drummer and begin practicing. When one of their mothers intervenes, they run away from home and are forced to fend for themselves on the streets against gangs and rival bands. Soon they are discovered and taken under the wing of rock manager Johnny Tremaine (played by Steven McDonald) who uses them for sex and his own aspirations of wealth. The Love Dolls set out to get revenge on those who have wronged them, and rise to the top of the rock world.
Official live video of Black Flag's set at The Stone in San Francisco on August 26, 1984. The film was released on VHS as a companion to their album of the same name.
A documentary music film that maps the Czechoslovak punk scene and some of its protagonists in the collapsing communist era. The music for this short film was composed by the then newly founded band Wanastowi Vjecy.
When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
Documentary on the Stockholm punk scene in 1997
The rock and roll, heavy metal exploits and sexual adventures of two young male metal-heads.
DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.
