Jenny har nu blivit tonåring. I och med det flyttar ett gäng helt nya känslor in i hennes huvud.
Att växa upp kan vara knepigt, och för den unga flickan Jenny är det just så. Hennes pappa får ett nytt jobb och familjen flyttar från det trygga livet i en småstad till storstaden San Francisco. Precis som alla andra så styrs Jenny av sina känslor; Glädje, Rädsla, Ilska, Avsky och Vemod. Känslorna bor i Huvudkontoret, ett kontrollcentrum inuti Jennys hjärna där de hjälper henne genom det dagliga livet. Jenny och hennes känslor kämpar med att anpassa sig till en ny stad, ett nytt hus och en ny skola – det blir lite mycket på en gång och det utbryter tumult i Huvudkontoret.
TV-kändisen Jules inser snabbt att det högpresterande livet inte är någonting jämfört med graviditeten. Wendy får en släng av hormonerna som hon sent kommer att glömma och hennes man, Gary, kämpar förgäves för att inte verka sämre än alfahane-pappan som väntar tvillingar med en ung troféhustru. Holly och Alex planerar att adoptera och Holly är redo att resa jorden runt för att göra det möjligt medan Alex är tveksam och skickas till "the dudes group" för att dämpa paniken och få stöd.
Frances bor i New York men saknar en egen bostad, hon är lärling i ett danskompani men är egentligen ingen dansare. Frances vill ha så mycket mer men lever ändå livet med oförklarlig glädje och lättja.
An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.
Made for the landmark anthology series, For the Record, Seer Was Here is an example of the bold dramatic programming made at the CBC in the mid-70s, while theatre director John Hirsch was serving as the head of the drama department. Saul Rubinek plays an inmate of a cruel Vancouver prison who brings humour, warmth, a little joy and self-understanding to the fellow prisoners of his cell block. An irreverent satire also featuring Eric Peterson and Martin Short. “Absolutely great, It’s also funny. Very Funny. Very Warm. Very touching… in some ways, a Canadian One Flew Over the Cuckoo’s Nest.” (Calgary Herald, 1978)
Joy Brown (Billie Dean) is a 40-something woman with little confidence, less self-esteem and a burning desire to realise her dream of being a singer/songwriter. But she cant sing. When Joy takes in a stray dog, Raffi, her life immediately changes. Her best friend, the tarot card reading Tessa (Janet Watson Kruse), moves in, Joy changes her name to Luna Starr, and she meets Peter Wolfman (Andrew Einspruch). When Peter encourages her to perform with him at the local pizzerias folk music nights, Joy sings sort of hiding behind masks of wigs and silliness. Despite the singing, Peter and Joys relationship blossoms. But there are lots of hiccups along the way -- ex-wives, ex-husbands, frightening performances, and bucket loads of doubt. Set to the backdrop of the folk music scene in an arty country town, the film celebrates universal themes of friendship, low self-esteem, love relationships, and the joy of dogs.
Michael Jackson, a young and struggling singer, feels overshadowed by the world’s obsession with fame and perfection. When a masked supervillain named Spotlight and his twisted father, Gary Mayor, form the Spotlight Seven to terrorize Los Angeles, Michael must rise beyond his insecurities to stop them. Along the way, he gains unlikely allies: Brad, his witty and stoic bodyguard; Samantha Carpenter, his love interest; Vigilante, a masked hero grappling with self-doubt; and Goku, a misguided martial arts master. Together, they face trials, betrayals, and epic musical showdowns. As Michael grows into a beacon of hope, he learns about the existence of the mysterious Council of Michaels, a group of powerful Michaels dedicated to saving the world. The journey culminates in a spectacular showdown against the Spotlight Seven, forcing Michael to prove that being a true star isn’t about the spotlight—it’s about the joy you bring to others.
When she arrives in a new world, Isabela is tasked with discovering her true essence. Watched by Shadow, the guardian of this ghostly place, Isabela meets other travelers and reevaluates her memories, relationships and emotions.
Hara leaves the maternity hospital with a baby in her arms. She spends her days caring for her newborn baby. Daily images of affection, familiarity, devotion and acquaintance with the baby in the rhythm of a lullaby. However, the repeated emergency news about the abduction of a baby from the maternity hospital comes to violently bring us back to reality.
Three queer twentysomethings navigate their daily lives in Utrecht throughout this symmetrically framed mosaic narrative. A colourful slice of life visualising queer joy and celebration.