Vanessa Springora tells how she found herself under the influence of a famous writer. In 1986, she was 13; him, almost 50. She explains how she was the victim of a triple predation: sexual, literary and psychic. But beyond her individual story, she also questions the excesses of an era, and the complacency of an environment blinded by talent and celebrity.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

En route to a party, two strangers get stuck in an elevator on New Year's Eve — and find themselves connecting in unexpected ways.

An animated Gothic tale based on Gérard de Nerval’s short story about a young man crossed in love, who asks the wizard Gonin for help and suffers the consequences.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

A writer explains how he feels eaten by words.

An analysis of The Kindly Ones, Jonathan Littell's controversial novel, published in 2006, which dissects the ruthless mechanisms of the Shoah from the detached point of view of Maximilian Aue, a high-ranking Nazi officer.