In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Explore the life and legacy of actor Paul Walker, the Southern California native who cut his teeth as a child actor before breaking out in the blockbuster Fast and Furious movie franchise.
Brad Pitt is a singular actor in Hollywood's glamorous world, breaking through his "playboy image" and embodying American cinema's renewal. At the beginning there was a humble Midwestern aware of being a smokescreen for the illusions of his time, who has managed to keep control of his image to better serve the most talented directors of our time. To name but a few: David Fincher, Quentin Tarantino, the Coen brothers, Terrence Malick, James Gray and soon Damien Chazelle. This documentary dives into the brain of a complex, brilliant and endearing personality, far from the cliché of a world-famous movie icon to discover the hidden side of the most handsome man in the world.
Art and life are different worlds, separated by an impassable abyss. Where there is life, there is no art, and vice versa. Young artists have to make that choice, sometimes from a rather young age.
When Brooklyn's Kings Theater, one of five "Wonder Theaters" in the New York area, closed its doors in 1977, a neighborhood mourned. In a series of interviews, local aficionados of the palace as well as its projectionist, its organist, and former employees, reminisce about the Kings and its charmed days gone by.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?
An impossible love story experienced by Eddie and Juliette.
Kaveh is an LGBT sculptor. He lives in Iran and lives in isolation because of his sexual orientation. He has a lover named Farhad. Their relationship is not very good. It is Kaveh who is not happy with this relationship, he lives in his workshop because of the repression of LGBTs in Iran. He is making a statue when he suddenly realizes that this statue is talking to him. The words of the statue are not clear and are more like chatter. He breaks up his relationship with Farhad like his previous relationships, because something more than sex requires a relationship. He enjoys being alone more, but now he realizes that Farhad has destroyed the only statue they made together. The whispering sound of the statue increases and every moment Kaveh's mental state is more disturbed, to the point that he works day and night to build that statue. The statue is completed as if the statue is the lost lover of Kaveh. By completing the statue of Kaveh, he becomes a statue.
Upon stumbling across a new cinema, Daisy finds new hope in this magical place and quickly strikes up a formidable love with long time manager, Regina.
Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.
Aníbal Alencastro worked in different cinemas in Mato Grosso in the 1950s and 1960s. Now, he recalls stories related to the job of projectionist.
To finance his next film, a young director presents his previous projects to producers.
An oral history exploring the development of film projection and cinema in Kingston-on-Thames - from resident innovator Eadweard Muybridge through the heyday, decline, and re-emergence of cinema. Features interviews with historians, projectionists and usherettes as well as cinema-goers with rare footage and images from Kingston’s cinemas.