Cour interdite is about drugs, naïve dreams, and the demise of values. A young Arab from the Paris suburbs, where poverty, unemployment and drugs are very much the reality, Djamel Ouahab saw many people around him dying, which led him to this project that took seven years to complete. The director plays a drug dealer who takes care of his family, protects his mother, and tries to shield his little brother from the drugs around him. He also has to help an addicted friend to quit his habit. Just when we think that he might be successful, reality hits him in the face. The message is that you can't escape drugs with drug money. Cour interdite chronicles the drug dealer's descent into hell. It is a realistic film with poetic dimensions. Ouahab tries to show the world of drug addicts but also the human side of the dealer.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.