Sydney es un periodista del "The New York Times" enviado a Camboya en 1972 como corresponsal de guerra. Una vez allí, conoce a Dith Pran, un nativo que le sirve de guía e intérprete durante la guerra. En 1975, al caer el gobierno camboyano, los EE.UU. se retiran del país, y toda la familia de Pran emigra a Norteamérica excepto él, que decide quedarse con el periodista para seguir ayudándole. Ambos viven refugiados en la embajada francesa, pero cuando deciden abandonar Camboya, el ejército revolucionario prohíbe salir del país a Pran, que es recluido en un campo de concentración.

Entre 1975 y 1979, el dictador Pol Pot y sus jemeres rojos fueron responsables de la muerte de 1,7 millones de camboyanos. Este documental analiza uno de los genocidios más brutales del siglo XX, en el que un cuarto de la población del país fue asesinada.

CAMBODIA/KAMPUCHEA draws on unique propaganda film and archival material from the Khmer Rouge, Vietnam and other sources. This is set against the grim realities of the Kampuchean tragedy. As a continuing theme, the film features exclusive interviews with Prince Sihanouk, who offers explanations for and insights into the role he has played in the fate of his luckless country. This definitive film study delves to the roots of the conflict, making sense of the madness, the politics and contradictions. It captures the epic spirit and passions of a people when a whole world is overturned.

CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.

Documentary about Cambodia featuring a long interview with Pol Pot

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.