While her mother is expecting their second child, young Thi befriends club waitress Ngoc who has just moved into their family′s house as a tenant. As their friendship grows, she finds out that Ngoc is an undisclosed sex worker. Meanwhile, the story is silently observed by an art book featuring female nudes by painter Tamara de Lempicka, stolen from a bookstore.
Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.
In the middle of a trip, Rubí, an eight-year-old girl, discovers within herself a powerful desire to eat roses. The rigidity and severity of her mother forces her to act in secret, until her desire manages to transform into something else.
Oli wants to finish her book. Jo wants to get over her breakup. What they don't want is to share a house.
Somewhere between the 1930s and now, the cameras start turning and Joan Crawford, Bette Davis and Marlene Dietrich gather on one film set. The floor gleams, the spotlights are burning, the narration starts. Born out of a fascination for the construction that is Hollywood, and by extension ‘the perfect Hollywood home’, the maker embodies three actresses from Hollywood’s golden era and their so-called private lives. Their smallest personality traits are performed so precise and characteristically that it becomes artificial. The home isn’t homely. It plays “house” and the inhabitants are speaking Hollywoodian. In this setting, the maker of the film recalls memories of growing up in her childhood home.
A young woman follows a strange impulse to return to her childhood home to find her parents missing, her past erased and the house threatened inside and out by a dark presence.
As part of his final psychotherapy treatment, a mental patient is allowed to return to the basement of his deserted childhood home, so he can finally face his fears involving the death of his younger brother.
While going through a difficult divorce from her domineering, businessman husband, Alexandra moves back into her old childhood brownstone home, where she sets out to uncover dark family secrets from when she was a young girl, involving her Aunt Judith's murder and her mother's descent into insanity. The only clue is a key to a mysterious secret room that lies within the house. As a series of bizarre and unsettling incidents prod Alexandra to investigate her past, she finds herself wandering deeper into danger as her past comes back to haunt her.
An actress confronts her quarter-life crisis by breaking up with New York City and returning home to win back the love of her life.
After her father’s death, Alyson, her partner Richard and their baby return to her childhood home. Following a few shocking supernatural events, Alyson discovers that she and her family have been living with a terrible curse, unleashed in the past by a bride killed by Alyson’s grandfather. Soon after Alyson’s child disappears and she has no choice but to embark on a frightening journey into the underworld, to free herself from the bride’s curse and to look for her daughter.
A video camera turns into a looking glass to the past in this lo-fi yet highly ambitious head-turner, following a young man who gets to reconnect with his family’s history through old, strangely immersive home movies.
When an L.A. cop gets called to a crime scene on his anniversary, he is forced into a shootout that leaves both a criminal and his hostage dead. Soon after, with a troubled yet clear conscience, the officer and his family go on a camping weekend. After they stop at a gas station and end up in the middle of a robbery, fate and a twisted web of revenge have other, more violent plans for them. When the score is finally settled, will anyone be left standing?
Inheriting her grandmother's remote island Inn causes Amanda to re-evaluate her life and decisions.
After a big break up Anna decides to move back to her hometown where her brother and sister-in-law still live. While there she develops an unhealthy obsession with the house she grew up, which just so happens to be around the block from her brother's house.
Alma returns to Mexico seeking the man who caused the loss of her childhood home. He is not easily found, but the road to him brings her closer to her late father, and the secrets he took with him to his grave.
After the death of her father, Anne — a brilliant but emotionally unstable painter/sculptor — returns from Switzerland to her home town in Quebec. Setting up a studio, she becomes obsessed with her work, to the extent that she grows farther and farther from her Swiss lover.
In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.
A woman learns her estranged father has passed away. She returns with her boyfriend to her childhood home of Belize, where she is reunited with her brother, and must face her past while fighting for intimacy in the present.
Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.