Cobler Mr Prokouk starts working in an office where there is a lot of paperwork too big for him.
The film tells an episode of the life of a kindly hearted bootblack who becomes accidentally the tutor of an orphan but nevertheless spends all his time and effort for the sake of the boy.
Otar Devidze, who is in exile, comes to Georgia to take over the inheritance left for his cousin through murder.
When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
Böttchers film showcases three young workers who learn how to paint, draw, and make sculptures out of stone. The film generated a storm of mistrust, as there is no leading communist party, and the three individuals live blithely and independently of the official dictates. It became one of the first DEFA documentary productions that were not allowed to be shown.
Ivane, a Gurian peasant is struggling with social inequality, trying to feed an impoverished family, pay state and rent taxes with extreme physical exertion and timber production. There is little hope for the future.
Frustrated and unemployed after being sexually harassed repeatedly, Stella decides to play the role of a guy, using the identity of her twin brother (who is living in Australia) hoping to get a job. She immediately wins the trust of her new employers and soon gets promoted to manager. The troubles begin when she falls in love with her boss' son.
In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi
In a small railway station a group of building workers are organized by a man called Jakov to travel to Germany for work. In the meantime, local bar owner Kurjak is getting a visit from his son first time after three years.
A film about safety in the feedmill and around heavy machinery. Points out that a person's mood can affect their judgment and lead to accidents.
A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.
The life of a married Munich technical draftsman with a son.
Hëna, who works in a construction site, falls in love with another worker, Agim.
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.
Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.
Miti, an old worker, and Sokol, a young driver, undertake a long journey to transport a huge metallic tower from the Durrës harbor to an important plant.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
A young manager of a factory encounters a man walking along a road who says his family traditionally are servants to the manager's family. The manager offers him a job, and as he watches out for the other man's welfare, begins to see how the company mistreats its workers. The manager is challenged between his ethics and the pressure from others to protect his own interests as dire problems surface at the factory
36 year old welder Karin works at an agricultural factory in Mecklenburg, Germany.