Mary, a woman with good intentions, takes pity on Henry, an artist with no home. What begins as a simple offer to come inside from the cold for tea gradually turns into more. Before the unsuspecting woman knows it, Henry, his family, and his friends con their way into her home. Eventually, Mary creates a ruse to rid herself of the parasites, but they have a different plan.
A starving, uncompromising artist and an heiress fall in love on first sight and immediately get married. She loves his outrageous behaviour, his strange room-mate and the best apartment poverty can buy.
An American art collector, living in France in the 1870s, who loses his fortune in a stock market crash devises a scheme to get back his wealth through insurance fraud with the added consequence of potentially killing hundreds of people. His scheme is to place his art collection aboard a ship, insure the collection far beyond its value, and place a barrel of dynamite with a clock-piece timed to go off when the ship is at sea.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
A precocious young girl and her younger brother run away from home and hide in the Metropolitan Museum in New York.
A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.
A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo.
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.
Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.
He was a postal clerk. She was a librarian. With their modest means, the couple managed to build one of the most important contemporary art collections in history. Meet Herb and Dorothy Vogel, whose shared passion and disciplines and defied stereotypes and redefined what it means to be an art collector.
The Collector is about a young beautiful Malibu girl who pursues countless men to fulfill her desires. Until she meets a man who also prizes himself as a different sort of collector.
The history of how the Museum of Spanish Abstract Art of Cuenca was created. In the mid-1950s, the Spanish collector and painter Fernando Zóbel de Ayala (1924-84) becomes fascinated by the young generation of Spanish abstract artists, so he begins to collect their works to show them to the public in Toledo. Until Gustavo Torner, a young forest engineer interested in art, proposes him to visit his city, Cuenca.
A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.
The young Beto ventures to the Brazilian countryside in search of a collection of rare drawings. There he meets Samir, the collector, and his family ruined by the demise of the cocoa plantations. The journey and the encounter will irrevocably change the young man’s soul.
July, 1925. Thurber Phillips, an art collector, is invited by his favorite painter, the elusive and mysterious Richard Upton Pickman, to visit his home, a sinister place where his friend's macabre paintings seem to threaten him from the walls in shadows.
Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.
