After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
After the passing of his wife, a lonely newspaper editor discovers Berenalin: a medication that promises to put an end to his grief. Its effects begin to drive a wedge between him and his daughter, who needs him more than ever.
A woman discovers the infidelity of her late husband.
“Never, ever, publish them!” What was it Jackie Kennedy wanted to keep secret? Acclaimed director Patrick Jeudy has access to a series of conversations recorded a few months after her husband’s assassination in Dallas on November 22, 1963. The Lady in Pink was continually driven by a dual purpose: that of molding her own image, whilst managing that of the president. She cannot change the past, so she may as well rewrite it and start to build the legend of JFK.
An old widow is stuck in her daily routine and her loneliness brings her back to the memories of her late husband.
Widow Jean Miller thinks she's ready for a new romance with her high school sweetheart, Sam Morrissey, a physician of considerable means. The only thing standing in the way of rekindling this first love is the presence of his very attractive, very together 39-year-old girlfriend, Claire.
A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.
A woman's two sons pretend to be insane in order to de-rail their mother's plans to remarry.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is supposed to be on a diet of bland, civil suits—but the lure of the criminal courts is too much for him, especially when the case is so difficult.
War widow Reiko rebuilds and runs the grocery shop in the house of her husband's family. Many years later, their business is threatened by a newly built supermarket and Reiko's in-laws plan to convert their small shop into a supermarket, to her detriment.
Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.
When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.
After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.
In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.