Matsuchiyo - Life of a Geisha’ is a documentary about one of the last surviving true geisha in Japan. The story begins with Matsuchiyo’s wartime childhood. She and her mother were the only two surviving members of the family. Matsuchiyo joins an “Okiya” (a traditional geisha agency), to pay the family debts and support her ageing mother. In her adulthood, Matsuchiyo becomes one of the top geisha in the city of Atami and experiences romance, tearful farewells, being a mistress of married men, motherhood and tragic deaths. Today, in her 80’s, Matsuchiyo the geisha, is as motivated and inspiring as ever. She still delivers a mesmerising performance on stage. ‘Matsuchiyo - Life of a Geisha’ is narrated by her own son and film director, Ken Nishikawa, and it is adorned by hundreds of beautiful pictures from Japan’s bygone era. This film illustrates the trials and tribulations of the ultimate Japanese cultural enigma that is - The Life of a Geisha.
Real Geisha Real Women is a documentary by Peter MacIntosh about the lives of several women in Kyoto, Japan of various generations who are, or have been maiko and geiko (the Kyoto terms for geisha). Their stories are told in their own words as a series of vignettes without the use of a narrator. Rare footage of their journeys outside of Kyoto includes a hometown visit, a trip to Tokyo, as well as travels abroad.
Documentary following 15-year-old Yukina as she leaves home and moves to Kyoto to embark on the arduous training needed to become a geisha. The profession has always been shrouded in controversy, with some believing geisha are little more than high-class prostitutes. At such a young age, does Yukina really understand what this ancient profession has in store for her?
Pinku from 1971.
Japanese gangster drama set in the exclusive Ginza district of Tokyo, following Haruka (Atsuko Sakuraba), a young geisha who is attacked by an influential businessman who plans to abduct her. When she is rescued by the members of a club called 'Utopia', Haruka joins them and becomes a hostess, rapidly establishing herself as one of the most sought-after geisha's in Ginza. At the same time, Haruka learns of a plan by a corrupt, gangster-owned club to set itself up as a rival to Utopia. Such is her loyalty to the club that first helped her, she is willing to do anything to protect it.
How We Lost It is an experimental short depicting a young maiko in preparation for the defloration ritual, a now outlawed ‘ceremony.’
In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!
A modern geisha travels through Japan trying to find a job as entertainer, and ends up by finding love and a job as ama, a pearl diver.
Spin-off short film to RoboGeisha, A woman infiltrates Kageno Steel Manufacturers to unravel their plot to take over Japan.
Based on the original work of Akutagawa Prize-winning writer Ashihei Hino, the film depicts the love of the proud geisha Nobukichi Hakata in the early Taisho era.
After the bankruptcy of her foster-father's condom factory, Tamae sets out to make a living on her own and ends up working as a geisha at a hot spring resort. After rising in popularity, a climactic sex battle is held to decide who gets to lay claim to her.
Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.
In a rural town the local elders and a band greet the arrival of a troupe of strippers. After a show two men who claim to be show biz producers make the elders an offer. If enough funds can be raised they will make their favorite lead stripper a star. Is this an offer too good to be true?
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.
A young yakuza in love with the girl who's to marry his clan oyabun, kidnaps the girl before fleeing with her. In Tokyo, he hides under the identity of a worker while the young woman becomes a waitress in a restaurant.
Can a woman love two men at the same time? Set against the backdrop of Kyoto's rich history, this story depicts a woman's difficult choice for love. Ayako, played by Yukiyo Toake, is an international conference coordinator. Torn between her childhood sweetheart (played by Kenji Sawada) and her English professor (played by Noboru Nakaya), Ayako will seek answers to love, marriage, and choice.
Natsuko is so good at using that super-strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black.
A luckless geisha struggles to make a living for herself and her young son.