A free-falling take on expendable Ikea furniture, space consumption, and furniture names.

Ice has always moved. When glaciation took hold some 34 million years ago, interconnected rivers of ice combined to produce the Earth's vast ice sheets. As temperatures slowly warmed glaciers developed a unique balancing act; advancing and retreating to calibrate their annual winter accumulation against summer melt. Sometimes calving colossal icebergs into the sea. A positive feedback loop that has regulated the movement of ice for millions of years.

A strange voice speaks to humans, it tells us, “Come, here I am, before everyone, before you.” Few have listened to it, much less understand what it is trying to tell us.

This is a video essay. It is a brief analysis of the connection between the individual and the self, the individual and the changing environment, and the individual and other individuals through three clips: Part 1: 1980 video of Andy Warhol eating a burger

Part 2: Canva clips edits Part 3: Clip from Jacques Tati's "Parade", 1974

In the immersive realm of Minecraft, a captivating tale unfolds, steeped in corruption, deception, and the unwavering quest for justice. Within the humble town of Tundra, two noble fishermen stumble upon a sign that unravels the sinister plots of Bacon Corp, an influential entity. As they expose their discoveries to the city council, a tangled web of greed and treachery comes to light, implicating the mayor, Mr. Bacon, in their ruthless pursuit of profits at the expense of the environment. Guided by courage and aided by their loyal companion Bill, a young hero named Joe embarks on a perilous journey that takes them to the heart of New Bacon City, where they confront formidable resistance, betrayal, and ultimately spark a revolution that topples the reign of Bacon Corp, ushering in a new era of hope and unity.

This film depicts a struggle between a male and a female trying to win the banana on the table

Go For It, Mike is a parodic music video that re-envisions the Horatio Alger myth of the American Dream via 1950s-style cultural cliches, advertising and Reagan-era media propaganda. Smith's "regular guy" Mike embodies a series of all-American male stereotypes, from the classroom to political candidacy, assuming the roles of college prep, cowboy, train engineer and real estate developer. Set to an ironic jingle that recalls an "Up With People" anthem, this lampoon of Manifest Destiny concludes with Mike riding, like an ironic Marlboro Man, into the sunset.

This video takes an analytical and humorous stab at the plethora of “pro-feminist” advertising that followed the emergence of the “new woman” and the increasing presence of women in the workforce during the 1990s. Conventional television genres are appropriated to show how the language and sentiments of feminism have been exploited by the advertising of an industry which cares little for the rights of its own female workers.

Henry Ford, the legendary automobile manufacturer, James D. Mooney, the GM manager and Tom Watson, the IBM boss, were all awarded the Grand Cross of the German Eagle, the Nazis' highest distinction for foreigners, by Hitler for their services to the Third Reich. At this time, in 1937 and 1938, Hitler's armaments industry was running at full speed. The German subsidiaries of these American companies - Opel, the Ford Werke AG and Dehomag - had willingly allowed themselves to be integrated into the "Führer's" war preparations. The film concentrates on the companies which were indispensable for Hitler to wage war. The documentary is supported by new archive material, as well as interviews with contemporary witnesses and experts.

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

An examination of how the shared obsession with short-term profits between corporations and Wall Street is negatively impacting the foundations of American capitalism.

This documentary focuses mostly on the 1930’s to 1950’s – arguably the most important period in modern American history. These decades included the Great Depression, the peak of labor militancy in 1937 (probably the closest the US has come to a popular revolution since 1787), the rise of the “guest worker” phenomenon, the counter-attack against labor unions, the creation of the military industrial complex, the rise of the FBI, the foundations of the civil rights movement, and the purging of radicals from organized labor and public life.

Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.

A cable car ride through the San Francisco of the early 20th century marks the background that bids farewell to the alleged blessings of capitalism.

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.

Chapter 11 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1950 and 1954 Narrates the period of the history of Mexico from 1950 to 1954, marked by capitalism and exploitation of native peoples.