The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.
In an exclusive consortium isolated from the rest of the world, Gianmarco, a young man obsessed by a series of mysterious suicides, begins a personal investigation to uncover the truth. The more he digs, the more the boundaries between reality and paranoia become thinner, dragging him into a vortex of suspicion and obsession. When everything seems to lead him to a single, disturbing conclusion, he will discover that some truths are not meant to be revealed... and that it may be too late to turn back.
About how the social environment affects Mazhar's consciousness/inner world and his effort to get rid of the stuckness he is in.
About the mysterious disappearance of a man who lives alone in a city where people are vanished mysteriously, who is alienated from society and ignorant to social tragedies.
The main character of the film writes a diary. For over 20 years he has lived in a bunker and has not ventured outside. His only companions are ghosts of the past. He tries to find an explanation for the fateful course of events, which has destroyed the whole earth. The feeling of guilt does not leave him, as he believes that he could have prevented the apocalypse and the death of his beloved.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
A deeply disturbed and epileptic young man benignly decides to murder other members of his dysfunctional family for altruistic reasons.
Beyond Citizen Kane (1993) is a British documentary film directed by Simon Hartog, produced by John Ellis, and broadcast on Channel 4. It details the dominant position of the Rede Globo media group in the Brazilian society, discussing the group's influence, power, and political connections. Globo's president and founder Roberto Marinho came in for particular criticism, being compared with fictional newspaper tycoon Charles Foster Kane, created by Orson Welles for the 1941 film Citizen Kane. According to the documentary, Marinho's media group engages in the same Kane wholesale manipulation of news to influence the public opinion.
This romantic drama by Michelangelo Antonioni follows the love life of Vittoria, a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.
An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
Four independent stories set in modern China about random acts of violence.
A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Set in an established wealthy home, a middle aged woman is awoken by the sounds of an intruder. As she follows the unsettling sounds, she walks into a nightmare. A nightmare whose dreamer is unknown.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
A railway crossing guard and his wife live in a routine of total isolation and uneventfulness.
Louise is dissatisfied with her mundane life in a bleak Parisian new-town. She rents a pied-à-terre in the city so she can experience independence.
Twenty-something Freddy is becalmed in a podunk French village where the only sign of life is the local amateur brass band and youth aimlessly roaming around the countryside on scooters. He has an intense sexual connection with his girlfriend but has no joy or passion to give her. When she falls for a handsome Arab youth a tragedy unfolds.