A priest is officiating at a convent, when suddenly he is transformed into the devil, who frightens away the nuns and turns the place into pandemonium.
A horse and cart carrying two nuns is stopped by two men with fixed bayonets.
Angela Chiaromonte is the daughter of a wealthy Italian prince who is killed in a fall from his horse. Though Angela stands to inherit half of a large estate, her older half-sister burns the will and thus inherits everything herself, throwing Angela into poverty. Fortunately, Angela is engaged to marry dashing Captain Giovanni Severi - but he soon is captured by Arabs while on an expedition to Africa. Believing him dead, Angela, dedicating her life to his memory, becomes a nun, unaware that her lover has escaped his captors and is returning to Italy. The dramatic climax takes place against a backdrop of the eruption of Mount Vesuvius.
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for revolution, and has him sent off to Spain to be raised in secret to ensure a peaceful future for France. Alas, keeping the secret means sending Constance, lover of D'Artagnan, off to a convent. D'Artagnan hears of this and rallies the Musketeers in a bid to rescue her. Unfortunately, Richelieu out-smarts the Musketeers and banishes them forever.
This first cinematic version of the classic book is a part-talkie, although the only surviving print is silent (housed in the George Eastman House, Rochester, NY). It is a straight-forward telling of the intermingled lives of a group of strangers doomed to die in a collapsing bridge accident. The Art Direction, paltry and unremarkable, surprisingly won an Oscar over the far more remarkable work nominated in THE IRON MASK. The special effect scene of the lovers plummeting with the bridge into the chasm is unforgettable and remarkably done.
In a deeply cloistered convent, nun Dorothea Wieck (Mädchen in Uniform) raises a foundling to be Evelyn Venable. But at 17, what if, guided by a kindly doctor, she sees the world and finds love?
A "good-time girl", raised by her somewhat lax divorced father, finds herself involved in an accidental death, and the only way she's able to get out of it is to volunteer--albeit reluctantly--to be a nurse in the war effort. She travels to England and is assigned to a hospital under a very strict matron. What the girl doesn't know is that the matron is the mother she has never seen.
Documentary by Andrew Buchanan illustrating a time when faith lay at the heart of the British Experience.
In 1858 Lourdes, France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the Virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives.
A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.
Father O'Malley is sent to St. Mary's, a run-down parochial school on the verge of condemnation. He and Sister Benedict work together in an attempt to save the school, though their differing methods often lead to good-natured disagreements.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.
Returning to his home town, seminarist Miguel is forced to trade the robes for a charro costume in order to solve several problems that appear in his way, including the female kind.
The short-tempered manager of the Pittsburgh Pirates mends his ways in return for a little divine assistance.
A group of nuns raise an abandoned baby as their own inside a convent.
After a novice nun learns of the sudden death of her parents, she leaves the convent to manage the family business and look after her teenage sister. Both of them fall prey to a womanizing mechanic with psychopathic tendencies.
In this sequel to Nobody's Children, Guido still longs for former lover Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for Luisa.
Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.
A Roman Catholic nun and a hard-bitten US Marine are stranded together on a Japanese-occupied island in the South Pacific during World War II. Under constant threat of discovery by a ruthless enemy, they hide in a cave and forage for food together. Their forced companionship and the struggle for survival forge a powerful emotional bond between them.