Documentary that shows the events that culminated in the deposition of President João Goulart, on March 31, 1964, and the implementation of the military dictatorship in Brazil. Around 40 characters reveal behind the scenes and comment in detail on this important moment in Brazilian political history.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.

21 sequence shots depict moments in a defining night of the Battle of Rua Maria Antônia, in October 1968, from the point of view of the students and professors of the Left-wing Student Movement, in the Philosophy Faculty building of USP.

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.

The Cuban Institute of Cinematographic Art and Industry produces this short film that tries to explain the causes of the coup, anchoring them in debt and US interference, denouncing the torture and imprisonment of opponents and showing solidarity with the Uruguayan people.

Audiovisual experiment, on the role of photography and its authors, during the last civic-military dictatorship in Argentina. A documentary that makes clear the complicity of the hegemonic media with the military government and the fundamental role played by the militants, in this case photographers, to document what was really happening in Argentina during the period 1976/1983.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

Khian, Pim and Karn, young rebellious students, work together to make a protest to uncover the corruption in their school by folding hundreds of paper cranes. But as they tried to unfold the truth, the trio are threatened by the shadowy powers.

During the 1980s civil war in El Salvador, a rebel group of leftist guerrillas fight to expose its government's death squads via an underground radio network and hope to end their government's reign of terror with the help of an American journalist.

In the near future, the world seems to function in an efficient and controlled way...

Resonating Surfaces is triple portrait, of a city, a woman and an attitude to life. For the personal story of Suely Rolnik, who is a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film is woven through by different themes: the other and the relation to otherness, the connection between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.

Based on conspiracy theories, a threat from an authoritarian, homophobic and retrograde government generates a revolution in the gay community that promises to dominate political power and impose its ideas on heteros, more or less as they always have, on the other hand. It is impossible? Yes. Is it ridiculous? Yes. But there are people who believe in the way they imagined it, a short that is a prologue to a possible future series...

In Western Germany, two brothers and their organization help people escape to non-communist Germany. A policeman chasing them falls in love with the sister and feels divided between love and duty.

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.