Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.
Bosnia was divided by war in the 1990s. The older population stayed while the younger population left. The film’s two mediums, documentary and animation, fluctuate along the border of two worlds, which separated time and historical events but are united by a longing for home and family. People are like dogs: they never forget their way home.
In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.
Documentary about two sisters in Kosovo who have become deminers to escape joblessness.
Documentary featuring interviews with women who lived through the Bosnian War (1992–1995). By Jennifer Rawlings
Documentary about the massacre of Bosniak army committed over soldiers of Republika Srpska during 1990s Bosnian wars.
At the beginning of Bosnian war in one village, two Serbian soldiers capture two of their Muslim neighbors and take them to shooting.
The members of Serbian army kill innocent Bosnian Muslim victims after Srebrenica massacre in the nearby village of Kravice.
Documentary which tells the story of a group of men and women who risked their lives to rescue a library - and preserve a nation's history - in the midst of the Bosnian war. Amid bullets and bombs and under fire from shells and snipers, this handful of passionate book-lovers safeguarded more than 10,000 unique, hand-written Islamic books and manuscripts - the most important texts held by Sarajevo's last surviving library.
Filmmaker Sabina Vajraca documents her Bosnian Muslim family's return to their home of Banja Luka, Bosnia, to recover their stolen belongings many years after being forced to flee to the United States. In Bosnia, they witness the devastation of the city, visit war crimes sites, and confront the family that has been living in their former apartment -- with all their furnishings -- for a decade.
Jasna searches for the remains of her two children who were killed and buried in the mass grave by Serbian Army. She gathers all available information and inspects mass grave sites hoping to find the red rubber boots her son wore the day he was abducted.
Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.
In September 2004, Himzo Muratovic returned from the dead. Himzo turned up in a taxi in his Bosnian Muslim village, 12 years after he disappeared at the height of the Serb terror. His mother fell unconscious when neighbors told her that her missing son had returned. For several days the village celebrated the return of the long-dead Himzo Muratovic.
Bilja was seriously wounded in the 1992 shelling of Sarajevo. A French photographer took pictures of her while she lay bleeding and desperately begging for help; pictures of Bilja's wounds made him famous. Zbanic searches for Bilja and reconstructs the moment when news became more important than her life.
The film deals with the tragedy of the women survivors of the Srebrenica genocide, or rather, the consequences of the horrors they experienced - it is about women whose sole purpose in life is to locate the bones of their loved ones and give them a decent burial. Fifteen years later, they still want just one simple thing - the truth. As a contrast, the film deals with trivialities of modern living, obsessed with different reality shows...
A project of theatre-documentary on the Srebrenica massacre.
Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.
This film follows 3 friends who were in Sarajevo during the war as they go to the US for the 20th anniversary of the Dayton Agreement, where they ask questions and consider the impact of the agreement 25 years later, having fun on the way.
The extraordinary story of Sanja and Zoran, a couple who in 1993 fled and survived the siege of Sarajevo, the longest war in 20th century history, to find refuge in Italy, in Turin. In their life experience, past and present come together to give voice to friendship and hope, reflecting on war, prejudice, tolerance and acceptance.
A personal interpretation of the blockade of Bosnia and Herzegovina's capital.