Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.

Primo lavoro cinematografico che si occupa in modo completo e globale del ruolo, innanzitutto politico e di appartenenza ad una comunità GLBT che è sempre più globale, che ha oggi il pride.

30주년이 지난 벤쿠버 게이퍼레이드. 퍼레이드의 기획자 켄은 세계 각국의 게이 축제를 방문하며 앞으로의 30년을 준비하고자 한다. 켄은 다양한 상황 속에 놓인 게이 당사자들을 만나며, 게이 퍼레이드가 단순한 퍼레이드를 넘어서서 평등을 추구하는 인권 운동의 장으로 나아가기 위한 고민을 한다.