The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.

Muestra a un héroe canoso que vuelve a visitar la ciudad de sus hazañas juveniles. Pero ahora, en una anticipación de "Ride the High Country" (1962), la civilización ha tomado el relevo, los automóviles echan a Bud de las calles y el teatro cuenta con películas.