Although it has an elegant way of building suspense and one absolutely stunning opening scene, I think Midsommar fails for me in the execution of its sequences. The whole movie is slowly building up the dread of the pagan cult, but fails to deliver when it comes to showcasing the brutality toward the end, and after two hours of build up it's baffling how minute the payoff is. The performances are fantastic, though! And I love watching Swedish people scream.

Although arthouse horror movies really aren’t my thing for the most part, ‘Midsommar’ falls into a strange middle ground where I wasn’t bored but I wasn’t invested either. I feel no need to “finding the mean“ to read theories online, because I simply don’t care. The only saving grace is the visuals, which are breathtaking and wildly creative at times, but it’s not a trip I want to take again. - Chris dos Santos

Read Chris' full article... https://www.maketheswitch.com.au/article/review-midsommar-ari-aster-brings-the-gore-but-lacks-the-emotion

8/08/2019 3 stars

Very poorly advertised as something it isn't; will be sure to frustrate and impress in equal measure

Methought I was enamoured of an ass.

• William Shakespeare; A Midsummer Night's Dream (1595)

Sometimes at pagan shrines they vowed

offerings to idols, swore oaths

that the killer of souls might come to their aid

and save the people. That was their way,

their heathenish hope; deep in their hearts

they remembered hell.

• Seamus Heaney; Beowulf: A Verse Translation (1999)

Much like his feature debut, the excellent Hereditary (2018), wr... read the rest.

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This was easily one of my most anticipated movies of the year. Hereditary was my favorite film of 2018, so obviously, Ari Aster's second feature grabbed my full attention from the very first announcement. Fortunately, even though Midsommar is only being released now in my country, I was able to stay away from spoilers, as well as from any sort of images or clips. As you might expect, this is not a typical horror movie, even though it's being marketed as belonging to the genre. Sure, it has some horror stuff that indisputa... read the rest.

Midsommar might genuinely be my big disappointment for 2019. I'm not saying it's bad. But coming into this on the back of not only the crazy good Hereditary from last year, but also the gushing praise from the online horror community, I guess my expectations were a little high. It doesn't make me feel good to say it, but honestly I'm glad I didn't see this in the cinema. Firstly because I think I might've been a little mad if I had forked out $25 to see this, based on the experience I ended up happening, but also secondly, because I don't much feel like going blind in the theatre from t... read the rest.

An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film.

“Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fairly quickly that something else is going on here. The obvious comparisons to “The Wicker Man” are not uncalled for.

First, in the interest of full disclosure, this review is based on the nearly thr... read the rest.

“The Wicker Man” meets “The Village”

Invited by their genial Swedish friend, four college students from New York take a vacation to rural Sweden to experience a Midsummer celebration at a commune. A couple of them are cultural anthropology students, who are naturally interested in the friendly isolated group and their odd ceremonies. The situation goes from friendly and curious to shocking. Florence Pugh and Jack Reynor play the American protagonists.

“Midsommar” (2019) is folk horror that plays out like “The Wicker Man” (1973/2006) meets “The Village” (2004) with elements of “The L... read the rest.

Hey, honey - let's take a trip to a surreal drug-fuelled Swedish festival with cruel pagan tendencies? Yes, I know - it all sounds too bonkers; and yes, for the main, it is. I think you have to be in the zone if you are going to get anything from this otherwise it could fairly be described as nonsense. There are shades of "The Wicker Man" here, but this is nowhere near as well written or as scary. Florence Pugh and Jack Reynor try their best but this just doesn't really work. On the plus side - it is beautifully shot - the purity of the light is amazing.

This place raises more red flags than Summerisle, an overlong film and the characters are as thick as pigsh*t. I was so hoping the finale would deliver the goods but it ended up as a less memorable 'The Wicker Man'.

But, but, but I do admire it.

Of course creators of this movie are big fans of the wicker man movie(excellent 60's movie). Very slow action. Didn't got bored ,but in the end not fully satisficed.