While 'The Invisible Man' isn't perfect, it is (like 'Upgrade') a thoughtful take on the genre, cleverly using on- and off-screen space and delivering each big scare like an effectively-timed punchline.
- Jake Watt
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https://www.maketheswitch.com.au/article/review-the-invisible-man-paranoia-gaslighting-and-spookiness
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As you should know by now, I avoid trailers at all costs, especially for highly anticipated movies. I'm careful enough already, but once I heard the massive complaints about the trailer for The Invisible Man, I made sure to not even listen to it, let alone see something from it. My expectations got higher as the release date approached, and the overwhelmingly positive reactions reached my attention, so obviously, I couldn't help but get excited. I love The Handmaid's Tale, and I always thought i... read the rest.
Starts brilliantly but ultimately undermines itself with plot contrivances and genre foolishness
I went over the heads of the things a man reckons desirable. No doubt invisibility made it possible to get them, but it made it impossible to enjoy them when they are got.
H.G. Wells; The Invisible Man (1897)
H.G. Wells's original The Invisible Man (1897) suggests that rather than something as powerful as invisibility being used for the betterment of mankind, it would instead be used to fulfil private desires, ultimately leading to the moral corruption of otherwise good men.... read the rest.
It seems that you can teach an old dog new tricks, at least when it comes to classic Universal monster movies. Writer / director Leigh Whannell‘s suspenseful reboot and reimagining of “The Invisible Man” is smart, well-acted, and full of thrills. It’s a surprisingly fresh take on dated source material.
Cecilia (Elisabeth Moss) is trapped in a violent, controlling relationship with her wealthy scientist husband Adrian (Oliver Jackson-Cohen). After drugging him one night, the terrified woman escapes and disappears, hiding at a policeman friend’s (Aldis Hodge) house. Overcome with loneliness, A... read the rest.
If you want to watch this, don't. If you want to watch an 'invisible man' movie, watch the original 'The Hollow Man'. I actually had to rewatch 'The Hollow Man' just to wash my eyes after this. The manlet of a woman in this movie that they call an actress is 100 times worse than Rhona Mitha's performance in 'The Hollow Man'.
Director Leigh Whannell had a crisp and clear vision when adapting this classic Universal monster The Invisible Man, into a modern re-telling that taps into the relevantly dark dangers of a domestic relationship, exploring such a theme with the upmost intensity and craft. This is a classic horror tale adapted with a contemporary twist, focusing more on the psychological mayhem we're forced to endure, much like our protagonist Cecilia, who's tormented in chilling manners. Already within 2020 this is the sleeper-hit of the year, one that on paper looks a lot more... read the rest.
This is a film that tries to be smart and clearly isn't. It has more holes than a colander containing Swiss cheese being held by Christ. This film thinks it's so edgy when it couldn't be further from it. It's a low budget, badly acted, dire attempt to contemporise a classic story. Do yourself a favour and don't bother.
Well made horror-thriller that takes the classic version updated for today with not only the effects but violence, which was very effective. A little predictable in some respects but ultimately entertaining and features a good performance by Elisabeth Moss. Going the more lower budget with Universal's "monster" remakes the best route, hopefully they learned their lesson from blunders of The Mummy. 3.75/5