Bruce Conner

Osobné informácie

Známy/-a vďaka Réžia

Známe role 33

Pohlavie Muž

Dátum narodenia 18. november, 1933

Dátum úmrtia 7. júl, 2008 (74 rokov/y)

Miesto narodenia McPherson, Kansas

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Biografia

Bruce Conner (November 18, 1933 - July 7, 2008) was an American artist renowned for his work in film, drawing, sculpture, painting, collage, and photography, among other disciplines. He first attracted public attention in the 1950s with his nylon-shrouded assemblages—complex sculptures of found objects such as women's stockings, costume jewelry, bicycle wheels, and broken dolls, often combined with collaged or painted surfaces. Simultaneously during the late 1950s, he began making short movies in a singular style that has since established him as one of the most important figures in postwar independent filmmaking. He used an innovative technique that can best be seen in his first film, "A MOVIE" (1958), which was created by piecing together scraps of B-movies, newsreels, novelty shorts, and other preexisting footage. His subsequent films are most often fast-paced collages of found and new footage, and he was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers and are now considered to be the precursors of the music video genre.

Bruce Conner (November 18, 1933 - July 7, 2008) was an American artist renowned for his work in film, drawing, sculpture, painting, collage, and photography, among other disciplines. He first attracted public attention in the 1950s with his nylon-shrouded assemblages—complex sculptures of found objects such as women's stockings, costume jewelry, bicycle wheels, and broken dolls, often combined with collaged or painted surfaces. Simultaneously during the late 1950s, he began making short movies in a singular style that has since established him as one of the most important figures in postwar independent filmmaking. He used an innovative technique that can best be seen in his first film, "A MOVIE" (1958), which was created by piecing together scraps of B-movies, newsreels, novelty shorts, and other preexisting footage. His subsequent films are most often fast-paced collages of found and new footage, and he was among the first to use pop music for film sound tracks. His films have inspired generations of filmmakers and are now considered to be the precursors of the music video genre.

Réžia

2008
2006
2006
1996
1981
1981
1978
1977
1976
1976
1975
1973
1969
1968
1967
1967
1967
1967
1967
1967
1967
1965
1965
1965
1962
1958

Hral/-a

2004
2002
1997
1986
1968
1967
1964

Scenár

1976

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