The War of the Worlds (1953)

Written by John Chard on September 6, 2014

Smashing sci-fi film that is a landmark for special effects.

Martians invade Earth with total destructive powers, seemingly unstoppable, mankind must find a way to beat them before all is Lost.

In spite of the uproar and considerable success of Orson Welles' 1938 radio adaptation of the H.G Wells novel, War Of The Worlds was a topic that directors were staying well away from. Such high esteemed men like as Cecil B. DeMille & Alfred Hitchcock were mooted to be interested but it always came down to a worry that the special effects needed for the story were too much of a headache. Enter producer George Pal, noted for puppetoon shorts, he managed to sway the big wigs at Paramount that it could indeed be done, and thus the chain of big colour spaceships blasting, sci-fi creatures lurking and blockbuster bums on seats movies began.

Directed by Byron Haskin, this version of the source moves the location from Edwardian England to 20th Century America, and this works a treat because the watching American public were genuinely unnerved at the sight of contemporary America being reduced to rubble by an invading force. The makers further our sense of dread by only letting us glimpse the aliens once in a wonderful scene (respectfully homaged in Stephen Spielberg's 2005 version of the source), other than that scene we are subjected to attack after attack from shiny flying saucers, slick and ground breaking effects working their magic on an impressionable audience.

Outside of those known to hardcore sci-fi fans, the cast doesn't contain any stars of note, probably due to all the money being used on the effects? And for sure many of them come across as wooden beyond compare (though the lovely Ann Robinson lights up every scene she is in), while if I'm to be over critical: then the romantic thread in the film is tiresome and the religious overtone is tardily done. But War Of The Worlds 1953 still stands proud as a brave and hugely enjoyable picture thats importance has never been (nor should it be) understated, and even allowing for nostalgic fervour from this particular viewer, I heartily recommend this film to anyone interested in template movies for the sci-fi genre. 7/10