Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

The cast, writers and producers comment on the overall Klingon War arc and many individual episodes.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Propmaster Mario Moreira takes fans through the world of Discovery props.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

We don't have an overview translated in English. Help us expand our database by adding one.

Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

Springen Sie mit der Crew der Discovery in die Zukunft, während sie die neuen Abenteuer mit Autoren und Produzenten besprechen, und tauchen Sie ein, wie ihre Visionen durch Besetzung, Sets, Kostüme und Requisiten verwirklicht wurden.

Mit Interviews mit Darsteller und Stunt-Koordinator Christopher McGuire erhalten die Fans einen Blick hinter die Kulissen der Entstehung der Stunts, von der Probe bis hin zum Know-how, das erforderlich ist, um sie sicher, glaubwürdig und perfekt ausgeführt zu machen.

Sonequa Martin-Green nimmt die Fans als Michael Burnham mit ihrer persönlichen Bilanz der Staffel und dieser geliebten Figur mit auf ihre staffelweite Reise.

Kenneth Mitchell, traditionell der Mann hinter der Maske in Discovery, wird in der dritten Staffel als Aurellio enthüllt. Dieser emotionale und intime Blick mit Darsteller- und Crew-Interviews berührt Kenneths Leben mit ALS. Der Clip, der zum ersten Mal vor laufender Kamera besprochen wird, zeigt, wie Kenneths Rollstuhl für seinen Charakter auf der Leinwand verwendet wurde, seine eigene Sicht auf die verschiedenen Rollen, die er in Discovery spielte, und was diese Rollen für die Show bedeuten.

Die Fans sind seit drei Staffeln von der Brücken-Crew des Raumschiffs Discovery fasziniert. Jetzt können sie in diesem Blick hinter die Kulissen in alle Dinge eintauchen, die mit der Crew zu tun haben, und die Charaktere und Schauspieler zeigen, die sie jede Woche zum Leben erwecken.

Autorin Michelle Paradise liefert ein persönliches Protokoll über die Dreharbeiten zu Beginn der dritten Staffel in Island.

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Ein schneller Zwei-Minuten-Bonus, der die neue Set-Tradition der dritten Staffel zeigt, 15 Klappen zu machen, um das Team mit zwei Kameraleuten in Schwung zu bringen. Kamerawagen Dollyfahrer James Parsons stellt die Tradition vor.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

A comprehensive look at story, arc, character evolutions and journeys, and more.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

We don't have an overview translated in English. Help us expand our database by adding one.

Focuses on the production departments that make Discovery come to life. Co-showrunner Michele Paradise talks about the pressure of making a high quality show and how it comes down to teamwork to pull off a show.

A tribute to Olatunde Osunsanmi. Known to most as 'Tunde, he's been a driving force on set in Toronto as the on-site executive producer and in-house director for Discovery. He's by all accounts a very nice guy, and he really took the role of being the "producer on the ground" for all 5 seasons with a lot of heart and dedication to the production.

Sonequa Martin-Green takes fans through her personal journey as Captain Michael Burnham. This entry is particularly bittersweet since season 5 was the last season, and includes reflection on her entire time on Discovery plus a visit behind the scenes of filming the epilogue, where Sonequa Martin-Green and David Ajala in old age makeup meet Sawandi Wilson, the actor who will be playing their adult son, for the first time in the makeup trailer.

The cast and showrunners discuss the characters' growth over all 5 seasons.

Writers, producers, directors, and cast are interviewed about the making of the 10 episodes as well and the epilogue, once they found out the fifth season would be the last.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.