When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.
The story of a child star attempting to mend his relationship with his law-breaking, alcohol-abusing father over the course of a decade, loosely based on Shia LaBeouf’s life.
In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.
1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
A portrait of Alejandro Jodorowsky’s young adulthood, set in the 1940s and 50s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Hisashi and Mai are a happy couple in their 20s who are engaged to be married. But three months before their wedding, Mai becomes seriously ill. Her heart stops momentarily, and she falls into a deep coma. Hisashi visits Mai at the hospital every day before work. With no idea if or when she will ever awake, Mai’s parents encourage Hisashi to find someone else, but he refuses to give up and continues to pray for her recovery. As if his prayers are answered, Mai begins to regain consciousness several years later, and even utters a few words. But tragically, she has suffered brain damage and has no memory of Hisashi.
Angela and Jessie are best friends intent on taking a wild beach trip, but when their roommate loses all their money in a drug scam, the girls—blissfully stoned—go to increasingly daring and absurd lengths to get it back.
A true story about a gay boy growing up in the collapsing USSR, his courageous mail-order bride mother, and their adventurous escape to Seattle in the 90s.
G.J. Echternkamp tells the story of his relationship with his parents, his mother Cindy and his step-father, Frank. Frank used to be a member of OXO, a band from the '80s whose one hit wonder scored with the song "Whirly Girl". Cindy was the ultimate groupie who married Frank and thought life would be glamorous and award shows, but it's not how it turned out.
The story, set in the heady post-war 50s into the early 60s , revolves around a love triangle between Tomoko, long playing the mistress to married older writer Shitto and the new stud who comes into her life, Ryota Kinoshita. Tomoko is sick and tired of her relationship with writer Shingo, who is married and has children. Shingo is a talented writer, but has yet to be recognized by the public. Tomoko then enters into a sexual relationship with younger man Ryota Kinoshita, but Tomoko is not satisfied.
This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.
Little Pu spends a summer in Norrland with all his relatives. He and his brother get to hear the story about the watchmaker who hung himself, learns to shoot with a bow and follow his father on a bicycle trip.
Heironymus Merkin is an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers and aged mother. Merkin's promiscuous relationships with women are explored, particularly Polyester Poontang and the adolescent Mercy Humppe. Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth, and an angelic 'Presence' who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director, two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.