Heironymus Merkin is an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers and aged mother. Merkin's promiscuous relationships with women are explored, particularly Polyester Poontang and the adolescent Mercy Humppe. Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth, and an angelic 'Presence' who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director, two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.
This autobiographical film portrays a regression to life in the womb and represents three psychic states.
The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.
When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his other grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.
Adaptation of Arthur Miller's semi-autobiographical play about Quentin, a Jewish intellectual from New York who must reexamine his life and his troubled relationship with Holga.
Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, and goes to Egypt, where he is befriended by Robert, whose undemanding companionship releases Jamie from self-pity.
An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.
An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.
Leo Popper is a happy family man living in rural Bohemia in the years preceding the Nazi invasion. Out of economic necessity he moves with his family to the big city and becomes an enterprising vacuum cleaner salesman. There he embarks on a series of adulterous adventures, has encounters with boxing pros and famous portrait artists, and schemes to purchase the perfect pond to fulfill his passion for fishing. When the Nazis gain control, the comedy turns sour - he loses his lake, his job, and finally, his family.
TAPESTRY, part of Lawrence Jordan's "Odyssey" triptych and filmed much later in Jordan's life, is a charged record of his bachelor life after marriage and child-rearing.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
An autobiographical examination of the director's rape at gunpoint nine years prior.
Iron and Silk is a 1990 movie based on the eponymous book by American writer Mark Salzman. It details his journey to China after college to study Chinese wu shu, better known in the west as kung fu, and to teach English. Though not trained as an actor, Salzman starred as himself, as did Pan Qingfu, who claimed no one else could portray him on film. Salzman's experiences occurred in Changsha, Hunan, though the film was shot in Hangzhou, Zhejiang. (Wikipedia)
Little Pu spends a summer in Norrland with all his relatives. He and his brother get to hear the story about the watchmaker who hung himself, learns to shoot with a bow and follow his father on a bicycle trip.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
An Autobiography charts the influence of the filmmaker’s six-year experience as an African American woman in Taiwan after college graduation. The highly original film recounts Welbon’s discovery, through another language and culture, of being respected for who she is, without the constant of American racism, and how it helped her achieve self-knowledge. Linking this story with that of earlier women in Welbon’s family, the richly textured memoir blends dramatic sequences with documentary footage.
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Waris Hussein’s acclaimed drama is based on the autobiography of Firdaus Kanga, who stars in the lead role of Brit, a young man born with brittle bone disease, which causes him to have never grown beyond four feet tall. The film follows his sexual awakening whilst his family simultaneously disintegrates all around him. An extremely moving drama confronting stereotypes around disability, sexuality and race, featuring a powerhouse performance from Kanga.
1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.