A Mexican farmhand migrates to America to better support his family, but his dream crashes to the ground when his wife and daughter can't meet him across the border.

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

A maniac butchers a fashion model on a Caribbean island and leaves the body to be eaten by rats. The model's sister suspects something isn't quite right with the police investagation and decides to go snooping on her own. With her friend, Fred, their investagations lead them to an unknown part of the island where they discover a monstrosity of a rat like man. The creature is killed by Fred, but the true horror of it's nature is just beginning...

Having defeated the best fighters of the Imperial Japanese army in occupied Shanghai, Ip Man and his family settle in post-war Hong Kong. Struggling to make a living, Master Ip opens a kung fu school to bring his celebrated art of Wing Chun to the troubled youth of Hong Kong. His growing reputation soon brings challenges from powerful enemies, including pre-eminent Hung Gar master, Hung Quan.

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

In 1902, 13-year-old Horace toils on a run-down plantation in rural Texas to buy a tombstone for the father he lost a year earlier. Soll, the crusty old Confederate who owns the plantation and depends on convict labor to keep his farm running, takes a liking to Horace. However, Soll is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. On Christmas Eve, as Soll becomes obsessed with his own mortality, he makes a grand promise... forcing Horace to confront his fear of death and the harsh truths of a decadent society.

Some people will do anything to secure an American visa, as hard as that might be. Some enter lotteries, others beg friends and families to invite them. Others still, just sneak in and hope Mr Trump doesn’t notice they are there. But in this raucous comedy, one Egyptian couple come up with a splendid wheeze. With twin babies due any minute, and all other efforts to secure citizenship fail, the couple decide to storm the US Embassy in Cairo and give birth there. Surely that will mean the babies are born as Americans, right? Well, er, no. As you might expect, things don’t quite go according to plan…

A desperate, but not very bright, young man tries to find where he parked his car in a massive underground parking garage in Cannes, France when his pregnant girlfriend goes into labor.

A study, in film animation, of a day in the life of a housewife, described without words, with a minimum of detail but with a perception all the more pertinent because of the simplicity of presentation. The film makes no judgments. It simply states the case, but serves as an apt starting point for any discussion of the role of women and the value of their work.

An undercover cop infiltrates an illegal labor racket on a remote Texan/Mexican border farm. After falling for the farm owner's mistress, the two discover the tables have been turned and they are the hunted.

A Widowed Plumber races against time to follow-up on the payment for his rendered service in order to save his critically ailing son.

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.

In this martial arts action-drama, a swordsman named Toh Hong travels home after a long battle to discover his wife and children have been brutally murdered.

What do Italian guest-workers do when they get home, after a hard day's work on one of the many new building sites in Berlin? They talk, get bored, phone home. They try to survive. Berlino is a moving documentary about displacement.

In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.

Dioni, like every day, is late for work. His boss already warned him that if this happened again, he would leave him on the street. Someone is going to have to run if he wants to get paid this month...