A Mexican farmhand migrates to America to better support his family, but his dream crashes to the ground when his wife and daughter can't meet him across the border.
It's a warm spring night, and the bee cowboys of Prince Edward Island begin rounding up their hives.
This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.
Sorn ist 21 Jahre alt, gehört der ethnischen Minderheit der Shan an und ist aus seiner Heimat in Myanmar nach Nordthailand geflüchtet. In der Metropole Chiang Mai hatte er gehofft, eine bessere Zukunft zu finden. Stattdessen arbeitet er nun als Tänzer in einer Schwulenbar und verdient sich außerdem als Sexarbeiter seinen Lebensunterhalt. Als der Club wegen der Corona-Pandemie geschlossen wird, ist Sorn dazu gezwungen, sich nach anderen Verdienstmöglichkeiten umzusehen. Ein Angebot des Stammkunden Ji kommt da mehr als gelegen. Allerdings wird Sorn durch den Job in den Fall des politisch verfolgten Aktivisten Wuth hineingezogen, nach dem die Polizei sucht.
In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.
Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.
On 9 July 2021, the 422 workers at the GKN factory in Campi Bisenzio near Florence received their dismissal, by email. They immediately met in front of the factory, scared away the management's bodyguards and have been holding an open-ended meeting at the factory ever since. In June of 2022, they talk about how they are rooted in the territory, why 30,000 people demonstrated with them. They explain why they put their struggle under the slogan "Insorgiamo!" ("Let's rise up!"), the slogan of the italian partisans who liberated Florence in 1944. But they also talk about their collaboration with climate activists and what they would like to produce. But as things stand today, it is not the workers who are responsible for the ecological damage caused by production: "Nobody asked me what I would like to produce when they hired me. They hired me and that was it."
Dioni, like every day, is late for work. His boss already warned him that if this happened again, he would leave him on the street. Someone is going to have to run if he wants to get paid this month...
In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.
A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.
A Widowed Plumber races against time to follow-up on the payment for his rendered service in order to save his critically ailing son.
In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?
Ji-eun, a part-timer at a convenience store, will be able to receive her much-awaited severance pay tomorrow.
The lowest paid teachers in the nation are in the middle of a statewide walkout in Oklahoma. From start to finish, Walkout follows the teachers as they get organized and demand raises from their state legislature. From crowded classrooms to a packed state capitol, Walkout offers an in-depth, personal look at the latest strike at the heart of a nationwide movement for education funding.
Some people will do anything to secure an American visa, as hard as that might be. Some enter lotteries, others beg friends and families to invite them. Others still, just sneak in and hope Mr Trump doesn’t notice they are there. But in this raucous comedy, one Egyptian couple come up with a splendid wheeze. With twin babies due any minute, and all other efforts to secure citizenship fail, the couple decide to storm the US Embassy in Cairo and give birth there. Surely that will mean the babies are born as Americans, right? Well, er, no. As you might expect, things don’t quite go according to plan…
Every December to January, almost a hundred squid fishing boats from Ch'ien-chen Fishing Harbor in Kaohsiung will sail from East 120 to West 60 to work at Falkland Islands in the South West Atlantic. The sailing takes 35-40 days and crew members named it "waterway." January 1st, 2015, a 65 meter long, 11 meter wide fishing boat began its journey to Falkland island. This is a documentary about 60 crew members from south-east Asia to work far away from Taiwan.
Fasli is a child born and raised in Kampung Kalo, Lengko Ajang, Manggarai Timur, East Nusa Tenggara. This film is about Fasli and his family; a conversation among the sounds of candlenuts.
Lin, a migrant female worker from Cambodia, and Yeon-hee, a Korean, are friends who work together at a factory at night. One day, the two will go to the sea together for the weekend. However, the factory manager only forces Lin to work overtime on the weekend, while Lin finds out that Yeon-hee is leaving Korea for Australia soon.
It's not her turn, but she's pregnant.
4, April, 2014. Worker's who worked in "SaengTak" are get to the struggle to require adjust of working environment for safely food, and guarantied a Three Right of labors. Then. Worker's tried to record there's own struggle and launch forth to street, However, Law, Capital, unconcern of crowd and avoid of famille are swallow up them.