The parents of Christian girl Ria Rago have arranged for her to marry Dapo, a Muslim. She refuses and, after a beating, flees to the mission sisters who offer her a safe haven. Her father and his cronies aren't long in finding her, however, and she is taken back into the kampong. After months of torture, Ria still won't give in. She escapes again and manages to reach the mission post where she collapses. On the brink of death, she is administered the last rites. Ria's father decides to call off the marriage and returns the dowry to Dapo. On her deathbed Rita forgives her parents.
Christian mission propaganda film about 'a slice of heathen life, with the bamboo bush people of Borado-Likowali'. Keli is forced to marry Wesa but has a lover in another village. This causes war to break out between the two villages and Wesa is killed. Wesa's father Meo now wants Keli to marry his other son. Keli refuses and the hostilities continue. Just when the authorities have locked up a number of troublemakers, Father Jacobs arrives. The missionary tries to win the confidence of the locals but becomes embroiled in the conflict. An assault by Meo's men leaves him dangerously wounded. The villagers stop fighting and Meo asks the dying missionary's forgiveness.
Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.
Melati lives with her stepmother and half-sister, Kecubung. Even though she always received bad treatment, Melati never stopped praying. One time, the clothes she was washing floated away. Melati searched by going with the flow. Not long after, she arrived at a old woman's house in the middle of the forest. It turns out the cloth was found by the old woman. When she asked for fruit in the old woman yard as she was very hungry, she instead got diamonds in the fruit she picked.
Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.
The Dutch East Indies, at the end of the nineteenth century. An adventurous captain of an American merchant vessel is looking for a sunken Dutch vessel containing 10,000 precious diamonds. Unfortunately, he's not the only one and then there's also that volcano on the nearby island of Krakatau, waiting to explode in its historical, disastrous eruption...
Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.
Twenty-year-old Joseph and his sixteen-year-old sister Suzanne live in the merciless conditions of an intemperate foreign land with their widowed mother. Their mother attempts to exert a hold on her children by involving them in the family's run-down rice plantation. However the siblings seek liberation, and look for this in their romantic lives. Suzanne becomes involved with Michael and Joseph finds a love interest in Claude.
Hosted by Ubud's political leader Agung Jakarta Sulawesi Mas, William Deneen here visits important sites and describes the political, religious, and economic situation on the island of Bali in the Indonesia of 1959.
Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.
This documentary by Michael Rubbo (Waiting for Fidel) offers candid glimpses of Indonesia and its people. Filming in and around the capital of Jakarta, the cameras follow where chance leads, capturing the flavour of life in this fertile crescent of tropical islands. Throughout the film, the focus is on a society caught between the past and the conflicting options for the future - to change or not to change from long-established patterns of life to ones more influenced by western technology.
Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.
Darman, his daughter Ida, and Slamet the servant, go into the woods to hunt. Ida was lost when Darman and Slamet are chasing a tiger. Ida ends up in Tarsan's hut. They become close though at first, Tarsan has problems speaking the Indonesian language. Then he agrees to go to the city and learn how to be an urbanite. It is not easy as he is even harassed by Ida’s friends who do not like him.
Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.
Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
Released directly to video, this action film features John Phillip Law as Ted Barner, a low-level employee of a corporation in Indonesia who is charged with testing a new laser weapon. Accompanied by an engineer who works for the corporation and a friend, Barner heads out to the test site with the laser in tow. Before the three can get very far, they must outrun an evil Texas industrialist who intends to grab the laser for himself. They are joined by a female reporter and end up at the site of the test, where their problems are just beginning.
From Cinehound user Kothar: "Two Girls, Mayang and Sekarsari, are trained by an old master. One day her teacher told them that they were adopted by him. 'Your real parents were killed years ago as Gobang also known as Lowo Ijo, was attacked with his men their village and almost all the inhabitants were murdered.' Mayang and Sekarsari want to find Gobang and take revenge for the death of their parents. They receive from their teacher special swords. He also warns Mayang her sword must not fall into the hands of another person. If it is violated by their own sword, she would immediately paralyzed."
An evil witch kidnaps people and turns them into zombies. Two young warriors, a pretty girl and an old master fight against the witch and her helpers / monsters.
Set in 1896, "Tjoet Nja' Dhien" celebrates one of Indonesia's great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja' Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien's charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.
The people of a small Indonesian village believe they have an evil creature called an Impaktita living among them.