Barbara and Brava, two reporters from gynocentric country "Vulvopotamia" make a report of their journey somewhere in Mexico, on a mission to fight the inequality crisis by promoting woman made films to citizens.
Lacho Cuevas is the old thief of the town, exiled years ago because of his crimes. However, due to a series of robberies against the town's merchants, Cuevas is hired by the Sheriff to help catch the mysterious thief "Black Rider".
Dancing For Change is a story about secular and socialist women of the Islamic world, their ideals, activism, and visions for a better world. It focuses on six Kurdish Iranian women from three different generations. These women live with their male comrades in a mountain camp.
In the 1970s, Françoise d'Eaubonne stood out in the French intellectual landscape. At 50, she has already won several literary prizes and published around forty novels and essays, but is resuming her militant fight with renewed vigor. She is the first to define ecofeminism, denouncing the common oppression of women and the planet as a consequence of patriarchy. She participated in the actions of the MLF (Women's Liberation Movement), in the creation of the FHAR (Homosexual Revolutionary Action Front) and theorized counter-violence, going so far as to sabotage the construction site of the Fessenheim nuclear power plant. This film presents unpublished documents for the first time. Drawing freely from the manuscripts and photographic archives that she bequeathed to the Memory Institute for Contemporary Publishing, her relatives and researchers, historians and publishers comment on the resonance of her feminist and ecological heritage.
A feminist revenge thriller
An injured Andrew ends up drawn into the complicated world of Rebecca, a solitary writer whose obsession with a divine mythological character has taken over her life.
For nearly 50 years, reporter, writer and photographer Laurence Deonna risked her life to capture the noise and anger of our times.
Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.
A bounty hunter searching for her next mark comes across an injured young man with a bounty on his head.
Julie is a loner. She spends her Saturday off at home trying to write a new screenplay. She keeps receiving messages from H - someone she might be interested in. Julie finally succumbs to H's charm and invites H over... After all, we all need some contact now and then, right?
A feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby.
A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.
"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.
In 2016, after the hate-fuelled murder of a woman in Gangnam, young feminists gathered to talk about their experiences, which led to the ‘tsunami’ of the feminist movement reawakening in Korean society. This tsunami included street protests against misogynistic hate crimes, political campaigning in the upcoming presidential elections, protests against sexism and sexual violence in everyday life, and the ‘black’ protests calling for the abolition of the anti-abortion law. The Fearless And Vulnerable focuses on the activities and members of the Feminist Party (known in Korean as “Femidangdang”), a feminist group that was part of this tsunami wave. The pleasure and sincerity with which they conduct their activities are compounded with their courage in the face of conflict, and the sense of fear that permeates the community. The film shows Femidangdang meetings as well as the daily lives and thoughts of members during their activities post-2016.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
An insight into the novelist and philosopher Simone de Beauvoir, who was also a political activist and feminist.