A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.
One Hundred and Eighty is a punky feminist darts thriller set at a regional women’s darts final. The winner, Kay suspects her opponent, Martha of letting her win, and won’t let her leave until she knows why.
"Hysterical Sisters" is an artistic and abstract poem about the chronic menstrual illnesses Adenomyosis and Endometriosis, that visualises the daily struggles of affected people. Adenomyosis is often described as the "evil sister" of Endometriosis - and vice versa. Two personified illnesses, that cause immense suffering and debilitating pain. Since loneliness, shame and a lack of understanding shape the lives of many affected people, the short film aims to raise awareness, break taboos and ultimately show sufferers they're not alone.
Leonie has had a bad past with men and now rigorously follows her desire to be independent. This cannot be done without taking revenge on those who have harmed her. That makes her rich and respected, until someone catches on to her.
She's Not Alone is a social enterprise short, that exposes the lack of safety in rideshare services, particularly for women and gender-diverse people.
The mysterious Lilith hasn't left her room in weeks, but a video call with her boyfriend Julien helps her to come out of her shell.
Barbara and Brava, two reporters from gynocentric country "Vulvopotamia" make a report of their journey somewhere in Mexico, on a mission to fight the inequality crisis by promoting woman made films to citizens.
Following her breakout success in a killer clown horror flick, Bowie finds herself held hostage by an unhinged fan determined to recreate the film's fatal plot.
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.
At arts summer camp, Basia, a reserved 13-year old girl, struggles to connect with other kids. She feels seen for the first time when an equally reserved 19-year-old camp counselor takes her under his wing. When a late night encounter with him leads Basia to lie to impress her roommate, she must reckon with the consequences of her exploration.
A young girl uses a night out with her best friend as an escape from her family life.
Dancing For Change is a story about secular and socialist women of the Islamic world, their ideals, activism, and visions for a better world. It focuses on six Kurdish Iranian women from three different generations. These women live with their male comrades in a mountain camp.
A chauvinistic young man pays a visit to a new nightclub named "Salem's Flames", unaware that he is about to meet his comeuppance at the hands of a coven of witches.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
This music video comes from a position of feminine self-expression and autonomy. We stand as witnesses to a woman giving birth to another part of her identity. In this case, let’s take it in a literal sense as we will see The Saint pushing The Whore out of her body. We begin with these two women celebrating their sensuality and having a firm grasp of their autonomy. And then as the story progresses, we are introduced to a new character who’s convinced it’s his right to take that agency away. But he’s clearly misguided. DIVA! is the pursuit of amplifying the very fact that The Saint in us can co-exist with The Whore as well as The Bitch, The Slut, The Boss, The Motherfucking Diva, and a lot more. It is a celebration of our endless rebirth.
A feminist revenge thriller
Seven women and one non binary person share their personal experiences with masturbation through short anecdotes and a revolutionary washing machine.