Snow Search finds four performers searching for each other, each carrying one quarter of a photographic portrait of Michael Snow. A lyrical exploration through the city and an homage to Michael Snow.
Documentary examining the way women are shown and described in newsreels from 1930-1960.
Poppy is a greatly misunderstood fashion design student who is pushed to the limit by her professor and competitive classmates as she designs her ambitious fashion show costume.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
According to Emma Pine (direction), Assumptions is a short film focusing on a young female point of view and her emotional behaviour. It aims to showcase the standards set for all women regarding appearance, emotion and attitude in everyday environments which ultimately condition them and the way they express themselves.
Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.
History of Dutch women working behind the scenes of moviemaking.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
A witch and other strange things live in the attic above lonely, dope-addled artist, Grey Neilson. After meeting Renee, Grey struggles to appease these beings, as she tries to find her place in the outside world.
The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.
A frigid winter on the Mongolian steppe, an untimely snowstorm aggravated the lives of a pregnant herder and her 8-year-old daughter: the missing flock of sheep, the unborn child, the absent husband, traces of wolves...... everything led the mother and daughter to places they’ve never been.
WOMaN is a visual exploration of the becoming and realizing of what it means to be a woman in this day and age. An experimental film told from the heart of SUBLIMEBBABY and eyes of Angelo Bote — complex, strong, independent, aggressive, soft, vulnerable. We embrace both masculine and feminine aspects following the woman on screen. “To maintain an interest in life, to laugh at the little/big things. To embrace my feminine energy but let my masculine shine in coexistence. These are my promises to my younger self.”
Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.
Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.
