In a world ravaged by the plague, women hunted as witches and burned alive. Three women stand against this tyranny as one is accused of witchcraft. Keeping their own secrets and demons from each other they try to survive the dangerous journey.
Leah, a mysterious journalist, crafts a passionate romance with Andrea, but dark secrets unravel, revealing the destructive cycle of narcissistic abuse.
A popular group of video game content creators must face the ultimate lesson in teamwork when a haunted multiplayer game begins killing them one by one.
Genevieve attempts to navigate her life with DID, but begins to see flashbacks of memories she had no part in creating. Nervous of how dangerous she may be, she descends into hallucinations as she gets closer to the origin of her trauma.
WOMaN is a visual exploration of the becoming and realizing of what it means to be a woman in this day and age. An experimental film told from the heart of SUBLIMEBBABY and eyes of Angelo Bote — complex, strong, independent, aggressive, soft, vulnerable. We embrace both masculine and feminine aspects following the woman on screen. “To maintain an interest in life, to laugh at the little/big things. To embrace my feminine energy but let my masculine shine in coexistence. These are my promises to my younger self.”
A murder investigation takes a reporter and her cameraman to the house of three women roommates, who turn out to be werewolves.
Sasha and her cat get ready to host a special dinner. Presented by Gia Coppola Wine.
Belgrade, 2022: A photojournalist is threatened by right-wing extremist groups in her Serbian home and flees to Germany with her daughter. But then she also experiences increasing strong threats and attacks in her new home.
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
A frigid winter on the Mongolian steppe, an untimely snowstorm aggravated the lives of a pregnant herder and her 8-year-old daughter: the missing flock of sheep, the unborn child, the absent husband, traces of wolves...... everything led the mother and daughter to places they’ve never been.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
A story told in four parts, "He" explores the swell of poetic love and the breathless aftermath of it's heartache.
During the last moments of a romantic involvement with an older man, Martina finds herself deeply overwhelmed by disappointment and confusion, left alone to question who she really is.
The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.
This music video comes from a position of feminine self-expression and autonomy. We stand as witnesses to a woman giving birth to another part of her identity. In this case, let’s take it in a literal sense as we will see The Saint pushing The Whore out of her body. We begin with these two women celebrating their sensuality and having a firm grasp of their autonomy. And then as the story progresses, we are introduced to a new character who’s convinced it’s his right to take that agency away. But he’s clearly misguided. DIVA! is the pursuit of amplifying the very fact that The Saint in us can co-exist with The Whore as well as The Bitch, The Slut, The Boss, The Motherfucking Diva, and a lot more. It is a celebration of our endless rebirth.
Poppy is a greatly misunderstood fashion design student who is pushed to the limit by her professor and competitive classmates as she designs her ambitious fashion show costume.
Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.
Eight Pan-Asian female filmmakers’ powerful anthology film illuminates the immigrant experience in Aotearoa New Zealand through the lives of eight Asian women connected by the house they call home.
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.