On Jan. 5, 1931, Mexican-American students were barred from attending their local elementary school. The parents took the school district to court.
A documentary on the life of Matthew Kennedy, one of the first internationally acclaimed African American concert pianists, and former director of the Fisk Jubilee Singers of Nashville, Tennessee. The film contains footage of interviews with Dr. Kennedy, live performances, radio broadcasts, studio recordings, and interviews with his former students and colleagues. Born in the segregated South in 1921, Matthew Kennedy was known throughout his home state of Georgia as a child-prodigy. At age 12 he attended a concert given by the famous Russian pianist Sergei Rachmaninoff in Macon, Georgia in 1932. Kennedy describes what he remembers of the concert from his perspective in the segregated balcony for “Colored.” He was also the star of his own radio show in the early 1930s. At that time, Kennedy's stage name on radio and in the cinema – where he played the organ to accompany the silent films – was “Sunshine.”
Varosha, the only city on the world without people, the loneliest city... Varosha is a province in Cyprus that is closed with fences and unpopulated since 1974.
A City Decides chronicles the events that led to the integration of the St. Louis public schools in 1954. An Oscar-nominated short documentary from 1956.
The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.
In White Like Me, anti-racist educator Tim Wise explores race and racism in the US through the lens of whiteness and white privilege.
Trevor Phillips confronts some uncomfortable truths about racial stereotypes, as he asks if attempts to improve equality have led to serious negative consequences.
In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.
While gun violence was on the decline in most major US cities, why did it continue to increase in Chicago's segregated communities? What is known about the systems that created the problem, the laws that isolated it, and the policies that abandoned it? Using dramatic footage, including interviews with residents on the front lines over the last 15 years, this documentary opens a rare historical window into the systematic creation of poverty stricken communities plagued by gun violence.
On Easter Sunday, 1939, contralto Marian Anderson stepped up to a microphone in front of the Lincoln Memorial. Inscribed on the walls of the monument behind her were the words “all men are created equal.” Barred from performing in Constitution Hall because of her race, Anderson would sing for the American people in the open air. Hailed as a voice that “comes around once in a hundred years” by maestros in Europe and widely celebrated by both white and black audiences at home, her fame hadn’t been enough to spare her from the indignities and outright violence of racism and segregation.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
Never-before-seen testimony is included in this documentary on Emmett Louis Till, who, in 1955, was brutally murdered after he whistled at a white woman.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
A substantial insurance payment could mean either financial salvation or personal ruin for a poor black family.
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
A true story of a priest (Andre Braugher) in New Orleans who formed a group of black players and challenged an all-white prep school basketball team in the 1960's. Eventually events like these signaled the pivotal turn in the games' history leading to the integration in today's sport. Directed by Steve James (Hoop Dreams), these basketball players didn't just make shots, they made history.
This film relates the story of a tightly connected Afro-American community informally called Colored Town where the inhabitants live and depend on each other in a world where racist oppression is everywhere, as told by a boy called Cliff who spent his childhood there. Despite this, we see the life of the community in all its joys and sorrows, of those that live there while others decide to leave for a better life north. For those remaining, things come to a serious situation when one prominent businessman is being muscled out by a white competitor using racist intimidation. In response, the community must make the decision of whether to submit meekly like they always have, or finally fight for their rights.