This film is what happens when Avant Garde and French farce with a mission meets Magic Surrealism. Babysitter opens with a completely frenetic energy that only eases later in those moments of self-reflection, for both ourselves and Nadine (played by Monia Chokri, the director).
In between the wacky opening and the thought-provoking third act, the film is mostly farcical, high-speed comedy. The actors all do a great job. Babysitter is an AK-47 assault weapon with dead-on aim at misogyny, toxic masculinity, and all things male of the hidden insecurities variety type.
