The documentary chronicles women's experiences of discovering, dreaming, acting and rebelling together, namely the early years of the formation of a feminist movement in Turkey.
Examines the 1937 shoe strike in Lewiston and Auburn, Me. through interviews with surviving participants
They open, for them and around them, the path of self-management: that of bodies, territories, communities and struggles.
In fragments, three women talk about their limiting living conditions and their experiences of violence. Not showing their faces ensures a protection they have lacked in their previous experiences. Images of masculinity make what is told indirect.
Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.
A teenager plans her own kidnapping with the help of her boyfriend and her best friend. They dream of going to live in the United States to have the baby they are expecting; however, the situation gets out of control and she becomes a victim of her own game.
They raised children, baked cakes... and built world-class fighter planes. Sixty years ago, thousands of women from Thunder Bay and the Prairies donned trousers, packed lunch pails and took up rivet guns to participate in the greatest industrial war effort in Canadian history. Like many other factories across the country from 1939 to 1945, the shop floor at Fort William's Canadian Car and Foundry was transformed from an all-male workforce to one with forty percent female workers.
In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.
Documentary tribute from a great-grandson to his great-grandmother. In a Sunday, filmed in her daily life, Aldéa speaks of universal subjects in her own way.
Between flavors, scents and colors, Elia recalls her life, since she learned to cook her first meals, her joys and sorrows, always surrounded by her family, who remember her for her incomparable seasoning and the love she leaves in every meal.
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
A student in her final year of high school battles a silent illness, which she hides from her mother, as she continues to be quietly overwhelmed by the pressures of family, peers and society.
This documentary focuses on a group of women artists, photographers, musicians and actresses who express their hopes in the Arab Spring of 2011 through their crafts. Not only do we get a look at modern day Cairo, Egypt, we also examine the challenges women face there.
A provoking film on the place of women.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
