In an isolated community, a young indigenous woman fights for her freedom after enduring sexual assaults. Confronted with a life-altering decision, she stands at a crossroads between resisting or forging a path away from the shackles of violence.
A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
A short scene about a breakup between Lucy and Zelda, who's relationship has been put to the test recently.
"Riverbed" tells the story of Salma and her returning daughter Thuraya, and their attempt to preserve, maintain and reconstruct their lives with and against each other. Salma survived many years by protecting her independence, she reached her peace through letting go of any attachments. But the past does not let go of Salma and brings back Thuraya, defeated, divorced, and pregnant.
Steph, a sixteen year old altar server, dutifully puts away the collection money after mass. But when a fellow altar server tries to pocket some of the money, Steph attempts to stop her. What starts as an innocent attempt to prevent thievery looks an awful lot like something else to the priest who interrupts them...Suddenly Steph is followed by symbols of the Virgin Mary, a warning around her sexual desires. Steph must navigate the intimidation of her fellow altar server, a crush on her movie theater coworker, and her own feelings around the comfort of her queer identity.
A portrayal of girlhood through the eyes of an average teenage girl.
Africa Star follows three generations of Cypriot women - mother, daughter, and granddaughter - whose lives were tragically altered by one man's submission to temptation. Plagued by guilt over his act in 1945 and his failure to make amends in 1967, the now-ailing octogenarian makes one last attempt in 2008.
In their own words, this is the story of six women from the South Wales valleys and how they helped sustain the bitter year-long miners' strike, changing their lives forever.
Madi is a junior doctor who desperately needs a break. Her partner, Dana, takes her on a getaway with her friend group. Will Madi finally get the Low Stress Day she desires?
A woman receives a phone call regarding her fertility results before a night out.
An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.
A woman's voice narrates in a voiceover the state of her body after a male sexual assault.
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
