Another Great Night follows Lia as she walks home alone after a night out, a journey fraught with risk and harassment. This film shows a condensed version of the many hazards that can befall women as they navigate often unfriendly and dangerous terrain, simply wishing to make their way home. Another great night? Well, that depends on your perspective.
Helen suffers from a rare fear of chalk. One day she feels encroached by several chalk figures in Helsinki and decides to confront her fear. In the Amos Rex museum, she discovers the works of Keith Haring in a catalogue and adapts his style to her needs for catharsis.
A portrayal of girlhood through the eyes of an average teenage girl.
After life and it's commitments seemingly seperate two friends from each other, they meet once again, with desires of rekindling their friendship.
A look at the daily life of midwives across Quebec.
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
Alexandra and Timofeya have a serious problem. A woman lies dead on the living room floor. When they discover that she is Eva and Sveta Kalaschnikova’s wife (the local Russian Mafia boss), and that Alex has been having an affair with Eva, the possibility of three dead women becomes a reality.
Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.
Women are sexually insulted and threatened by men every day. Experts around the world are registering an anti-feminist backlash that seems to be on the verge of becoming socially acceptable. Particularly affected: women in publicly visible positions – such as politicians, actresses or entrepreneurs. Who is behind the attacks and what are the motives?
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
Bretagna, Francia, 1770. Marianne, una pittrice, è incaricata di realizzare il ritratto di nozze di Héloïse, una giovane donna che ha appena lasciato il convento. Héloïse è però riluttante al matrimonio e Marianne deve ritrarla senza che lei lo sappia, osservandola di giorno e lavorando di nascosto di notte. Tra le due pian piano nascerà un rapporto fatto di intimità e attrazione, destinato a un drammatico epilogo.
Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.
È estate, la luce calda del sole illumina Teresa che prova a ripararsi dal caldo sotto una grande Magnolia. Teresa è un’ostetrica, ha settanta anni, i capelli bianchi avvolti in una treccia ed un sorriso accogliente. Oltre a lei una decina di donne. Sono disposte in cerchio, sono tutte in dolce attesa ma non tutte allo stesso periodo di gravidanza. Le donne si presentano e raccontano qualcosa di sé ed insieme a Teresa riflettono sul momento di passaggio che stanno attraversando. Sono tante le emozioni, i dubbi e le paure che emergono dai loro racconti.
Johanna, the hostess of the parish house, does her utmost to ensure that everything goes according to plan. There is no room for error. The last thing Johanna needs is a busload of uninvited guests knocking on the door of the parish house on the eve of an important wedding. However, a passing Russian party has had its car broken down and Johanna soon finds herself accommodating the party at the parish house. Johanna's brother is tasked with fixing the car to get the guests on the road and out of the way quickly. Her brother's entrepreneurial friend, on the other hand, sees great opportunities in the situation and decides to act. The clock ticks, the car won't start, the wedding ceremony is about to begin and the recipe for disaster is in motion.
a 90 minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs